Titlebook: Shakespeare and the Embodied Heroine; Staging Female Chara Lori Leigh Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limi

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Book 2014Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare‘s female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.

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2731-3204 Overview: Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare‘s female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.978-1-349-49975-5978-1-137-46599-3Series ISSN 2731-3204 Series E-ISSN 2731-3212

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Introduction,ines unequivocally lack is a body—a female body that is. Boy actors usurped the position of gender-appropriate casting in the professional theatre troupes of Renaissance England. This use of boy players is fuel for critics to suggest the essential identity of Shakespearean “women” is male and that t

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,Other Worldly Desires: The Jailer’s Daughter and Emilia in Fletcher and Shakespeare’s , and Davenann, ... This is likely due to the history of contempt for Restoration adaptations of Shakespeare plays in general (see the Introduction), but also because for many years scholarly discussions of . centered on questions of authorship, primarily the question of Shakespeare’s involvement in the play. Th

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Silence and Sorcery, Sexuality and Stone: Absent Parts to Understanding Hermione and Paulina in Sha in the mid-eighteenth century and so some discussion surrounding the context of this work is needed. In the first section of this chapter I will explore the background to Garrick’s adaptation and then focus later on how this impacted on the women’s roles in the play. “Silence” is a fitting start to