Titlebook: Shakespeare and War; Ros King (Professor of English Studies),Paul J. C. Book 2008 Palgrave Macmillan, a division of Macmillan Publishers L

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Book 2008A lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare‘s use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.

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https://doi.org/10.1057/9780230228276Renaissance; Shakespearean drama; William Shakespeare; British and Irish Literature

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Whose ‘Triumph’? , in Berlin during World War II he was born and buried, Germany is the country where he truly lives.’. In times of international conflict, this German, even Nordic, Shakespeare could thus be deployed as a token of German genius and cultural superiority.

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Never-ending Conflict: Man (and Woman) as Death Bearer in Testori’s language, was a tribute to Testori’s theatrical idiolect, but also made a phonological connection with ‘Dervish’, and thus the religious dances of that sect, pointing to one of Testori’s favourite themes: the ritualistic quality of theatre performance.

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War and Shakespearean Dramaturgyffer,/And find our griefs heavier than our offences’ (4.1.67–69). His is the classic Christian argument for just war derived from St Augustine: ‘For it is the injustice of the opposing side that lays on the wise man the duty of waging wars’ (., XIX. 7)..

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Shakespeare’s , as Staged in Heiner Müller’s iner Ensemble theatre. As with all the other scenes of this play, this is given its own title: ‘Maßnahme 1956’ (Measurement 1956). The theme of war, which is a central issue of Müller’s play, is highlighted in this rehearsal of a scene from ..