Titlebook: Shakespeare and War; Ros King (Professor of English Studies),Paul J. C. Book 2008 Palgrave Macmillan, a division of Macmillan Publishers L

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自爱

TAP

CLEAR

and the Performance of Wars, virtually daring us to choose one of the two opposed interpretations it requires of us’.. Yet such emphatic viewpoints are derived from the character in isolation, as separate from the play’s narrative structure and the audience’s interpretation of the character within that structure.

left-ventricle

生存环境

‘Faking It’: Provenance, Persuasion and the Renaissance Military Subject a campaign underpinned by quasi-Shakespearean rhetoric that explored distinct codes of military subjectivity. I am thinking of the now famous speech delivered by Lieutenant Tim Collins as the Royal Irish Regiment prepared to cross the frontier. He urged his soldiers to be ‘ferocious in battle but m

昆虫

The Nightmare of Indifference: Shakespeare’s Sonnet 121 and the War in Former Yugoslavia a book as part of the complete sequence, first appeared in a daily newspaper at a time when the bleak reality of war was becoming obvious. A week later, Vukovar, a city in Eastern Croatia, near the Serbian border, was attacked by the Yugoslav People’s Army (JNA).

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Promotion

Religion and War in Romanian Translations of local language. Translations are too often assumed by the ordinary reader to be faithful, but like stage performances and to some extent critical readings, they are likely to reinvent Shakespeare for different cultural and historical circumstances.

UTTER

ls on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.978-1-349-30175-1978-0-230-22827-6