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Titlebook: Shakespeare and Costume in Practice; Bridget Escolme Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Shakespeare.costume.de

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Introduction,ith the past is reflected and interrogated through clothing on stage, in Shakespeare production. It explains that the book is both a study of material culture and a work of cultural materialism. It points to the critical frameworks for examining costume in each chapter: cultural materialist studies
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, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace,ative nostalgia, which looks back at an idealised set of tropes and traditions and imagines them as ultimate truths; the second is reflective nostalgia, which owns its own longings and contradictions more reflectively and critically. The chapter uses these definitions as starting points for a consid
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