Titlebook: Shakespeare and Consciousness; Paul Budra,Clifford Werier Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 1 Shakespeare.2 c

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https://doi.org/10.1057/978-1-137-59541-61 Shakespeare; 2 consciousness; 3 cognition; 4 cognitive theory; 5 performance

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Shakespeare and Consciousness978-1-137-59541-6Series ISSN 2945-7297 Series E-ISSN 2945-7300

合适

“Being Unseminared”: Pleasure, Instruction, and Playing the Queen in ,must have played him. Starting with the image of the eunuch’s mutilated body, he parallels the training of boy actors in the early modern professional theater with the actor’s need to assume identity and ties both to the somatic embodiment of consciousness and the distributed cognition required by early modern theatrical practice.

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Bodies and Selves: Autoscopy, Out-of-Body Experiences, Mind-Wandering and Early Modern Consciousnessscopic illusions to mirror ideas in ., and turning to out-of-body experiences, Purnis offers historical examples linked to the early modern idea of . and “being beside oneself” in ., and .. Finally, mind-wandering is examined as a sub-category of ecstasy and daydreaming.

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Introduction, Emotion, and Memory. In the following chapter summaries, the authors emphasize the collection’s unique interest in fragmented and distributed consciousness, character and identity, notions of playing, temporal paradox, the instability of memory, heightened ethical sensibilities, and altered states.

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