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Titlebook: Shakespeare and Community Performance; Katherine Steele Brokaw Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive

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楼主: 使委屈
发表于 2025-3-25 04:55:38 | 显示全部楼层
,Identity Shakespeare: L.A. Women’s Shakespeare Company and Harlem Shakespeare Festival,ar (TWAS) and its Harlem Shakespeare Festival, founded by Debra Ann Byrd in 2001. It is a verbatim chapter, consisting almost entirely of quotations taken from interviews, news stories, and the occasional scholar. The histories of the L.A. Women’s Shakespeare Company and Take Wing and Soar are told
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Island Shakespeare: , in the Faroe Islands,eland, Scotland, and Norway and having a population of just over 50,000 inhabitants. It begins with a brief history of the Faroe Islands and a depiction of their literary and arts scenes. In the description of the . production that ensues, the chapter focuses on four ways in which the show functione
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Ecological Shakespeare: Shakespeare in Yosemite and the EarthShakes Alliance,plays in Yosemite National Park. It first describes how Shakespeare in Yosemite’s performance and research are grounded in eco-dramaturgy and Practice as Research (PaR), and then explains the collaborative creative processes, performed adaptations, and evaluative methods for . (2019) and . (2022). I
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Island Shakespeare: , in the Faroe Islands,d as a kind of community-based theatre: through a Faroese translation that was rife with cultural references, the production’s site specificity, the use of Faroese funeral ritual as a framing device, and the way this . self-consciously provoked contemplation of local attitudes toward emotion, love, violence, death, and art.
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Ecological Shakespeare: Shakespeare in Yosemite and the EarthShakes Alliance,t ends by describing collaborative efforts to create community among eco-focused Shakespeareans around the world, including the EarthShakes Alliance, a global collective of Shakespeare organizations who pledge to center ecological concerns in their operations and programming.
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Book 2023 a .Hamlet. staged in the remote Faroe Islands, and eco-theatre made in California’s Yosemite National Park. The book investigates why different communities perform Shakespeare, and what challenges, opportunities, and triumphs accompany the processes of theatrical production for both the artists and the communities in which they are embedded. .
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