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Titlebook: Shakespeare and Character; Theory, History, Per Paul Yachnin (Tomlinson Professor of Shakespeare S Book 2009 Palgrave Macmillan, a division

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发表于 2025-3-21 17:41:25 | 显示全部楼层 |阅读模式
书目名称Shakespeare and Character
副标题Theory, History, Per
编辑Paul Yachnin (Tomlinson Professor of Shakespeare S
视频video
丛书名称Palgrave Shakespeare Studies
图书封面Titlebook: Shakespeare and Character; Theory, History, Per Paul Yachnin (Tomlinson Professor of Shakespeare S Book 2009 Palgrave Macmillan, a division
描述Shakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare‘s achievement as an artist and thinker.
出版日期Book 2009
关键词fiction; King Lear; William Shakespeare; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230584150
isbn_softcover978-1-349-36439-8
isbn_ebook978-0-230-58415-0Series ISSN 2731-3204 Series E-ISSN 2731-3212
issn_series 2731-3204
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2009
The information of publication is updating

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发表于 2025-3-21 21:50:47 | 显示全部楼层
Arming Cordelia: Character and Performance Our preparation stands / In expectation of them” (4.3.22–23), suggesting that the soldiers she has led on stage are an indication of her readiness to battle her sisters’ armies. Given this preparation for battle, this show of power, and Cordelia’s position at the head of her army, it seems not unlikely that Cordelia herself appears in armor.
发表于 2025-3-22 00:41:58 | 显示全部楼层
Introductionry, the idea of character has now begun to reemerge as an important—perhaps even an essential—way of thinking about the political, ethical, historical, literary, and performative aspects of early modern theater. The present volume recognizes the development in Shakespeare studies of what might best
发表于 2025-3-22 07:24:11 | 显示全部楼层
Confusing Shakespeare’s Characters with Real People: Reflections on Reading in Four Questions real people. I don’t think I’m really confused. Dr Johnson didn’t think so either: “[S]pectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.”. Fair enough, but why do I puzzle over Macbeth’s real motive
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发表于 2025-3-22 19:17:30 | 显示全部楼层
History, Philology, Performance women merely players; / They have their exits and their entrances, / And one man in his time plays many parts” (., 2.7.139–43).. The similarity of these metaphors reveals a common idea in early modern France and England. In effect, over time, the words ., with the common alternatives . and even .,
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发表于 2025-3-23 02:28:21 | 显示全部楼层
Embodied Intersubjectivity and the Creation of Early Modern Characterut also, as he elsewhere makes clear, between the performer and the performed; or, to use his words, between the “personater”[.] and the “person personated” (B4r; C4r). The challenge, however, is to establish how persons were conceptualized, and by what process the person personated became, in a sen
发表于 2025-3-23 09:31:23 | 显示全部楼层
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