Titlebook: Sexual Visuality From Literature To Film 1850-1950; Dennis Denisoff Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limit

debouch

Lady in Green with Novel: Demonizing Artists and Female Authors, doubt regarding the claim for men’s inherent superiority in the field. In Anne Brontë’s . (1848), Helen Graham offers a provoking counter-image to that of Michael’s war-like defense of his notion of the profession’s gender. In Brontë’s novel, we find the heroine using her palette knife not only to

动作谜

Posing a Threat: Wilde, the Marquess, and the Portrayal of Degeneracy, see him first. While dandy-aesthetes had become almost as common as . by the final decades of the century, their proclivities remained tantalizingly out of the picture. Queensberry’s battle with Wilde and the reification of the homosexual identity turned not on the dandy-aesthete’s artifice, but th

新字

Where the Boys Are: Daphne du Maurier and the Masculine Art of Unremarkability, renditions of gender and sexuality. Referencing ‘the familial and sentimental models’ as particularly strong pre-cinematic contexts for lesbian iteration specifically, White argues that ‘the inheritance of mid-century Hollywood films from nineteenth-century paradigms of women’s culture and relation

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synchronous

Introduction: Unsightly Desires,their lives, but they see sexualities and genders — that is, recognize them at a remove as opposed to as an uninvited sensation — only after learning languages of the body. Sex, in other words, is mediated and, even though our recognition of sex, sexuality, and gender at a distance may be seen as pr

Paleontology

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,Framed and Hung: The Economic Beauty of Wilkie Collins’s Manly Artist, chapter, the variety of female characters with creative aspirations and talents counters the notion of a clear bi-gendered model of artistic capabilities. This very diversity, however, runs the risk of suggesting a process of divide-and-conquer by which creative women are separated into minority cl

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