Titlebook: Seriality and Texts for Young People; The Compulsion to Re Mavis Reimer (Canada Research Chair in Young Peopl Book 2014 Palgrave Macmillan,

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Introduction: The Compulsion to Repeat,adolescents at least since the last decades of the nineteenth century,. the scholarship on these texts has not been central to the development of theories on and criticism of texts for young people. The focus of scholarship is much more likely to be on stand-alone, high-quality texts of literary fic

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Off to See the Wizard Again and Again, some well-known theorists of repetition and serial production -Walter Benjamin on mechanical reproduction, Sigmund Freud on the uncanny — along with work on the uncanny by Ernst Jentsch and Masahiro Mori. It locates series fiction in relation to other popular forms of the early twentieth century th

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,Kierkegaard’s , and the Reading Pleasures of Repetition in Diana Wynne Jones’s Howl’s Moving Castleds, a common Kierkegaardian strategy. The primary narrator of . is called Constantin Constantius: note this name’s emphatic double reference to constancy, which might imply faithfulness, consistency, or unchangingness; note also how the almost-doubling of the name introduces movement into that samen

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Girls, Animals, Fear, and the Iterative Force of the National Pack: Reading the Dear Canada Series,d. Because of this iterative force, the girl diarists of the series feel afraid, and their fear affiliates them with other people and with the non-human animals who share their fear. Despite the nation-state’s regular billing, in many contemporary cultural contexts, as a popular imagined community,

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