Titlebook: Seriality and Texts for Young People; The Compulsion to Re Mavis Reimer (Canada Research Chair in Young Peopl Book 2014 Palgrave Macmillan,

GLOSS

,Michael Yahgulanaas’s , and the Structures of Sequential Art,uch, I believe it can offer significant insights into the range of verbal and visual texts that operate by adding discrete new sections to a sequence of existing ones — including the groups of separate but connected fictional texts we identify as series. Furthermore, as a new way of telling the old

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DEMUR

MP3 as Contentious Message: When Infinite Repetition Fuses with the Acoustic Sphere,ex Winter, the director of ., a 2013 documentary about Napster, describes Fanning as one of the “brilliant young minds that ignited the biggest youth revolt since Alan Freed hit the radio” (“About the Movie”). For three years, Napster allowed millions of Internet users to share their digital music c

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BILL

,Michael Yahgulanaas’s , and the Structures of Sequential Art,story it reinvents and passes on, the graphic novel I focus on is itself part of a series of versions of the story. An exploration of the sequential effects of this one text should, then, suggest much about the structure and the reading strategies implied by series literature generally.

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Roy and the Wimp: The Nature of an Aesthetic of Unfinish,s, dissolving boundaries between text and context: “Technology and popular culture propel us toward a state of unfinish in which the story is never over, and the limits of what constitutes the story proper are never to be as clear again” (14).

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Introduction: The Compulsion to Repeat,e formal designs, and complicated themes -often specifically as distinct from the formulaic patterns of series fiction. Yet, curiously, scholars typically use examples from literary fiction to illustrate the common characteristics of books directed to young readers: it was Grahame’s book, and not Br

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