Titlebook: Sculpture, Sexuality and History; Encounters in Litera Jana Funke,Jen Grove Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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The Queer Materiality of History: H.D., Freud and the Bronze Athena the past. H.D. and Freud shared a queer attachment to the partially damaged bronze statuette, which was associated with the inevitable losses of history as well as the possibility of anachronistic survival. As such, the ancient object facilitated dialogue between H.D. and Freud and their literary and scientific projects.

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,Introduction—Desiring Sculptures, Encountering the Past: Sculpture, Sexuality and History,It shows that the erotics of sculpture are intimately connected with considerations around uses of the past and understandings of history. These points are developed through an exploration of three intersecting themes. The first section explores the desire for the living or moving statue and argues

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Jogging

OPINE

Women, or Wax? Eros, Thanatos, and Sculpture in Cinemaive encounters between artists and anatomists from the birth of the La Specola Venuses to Madame Tussauds, with Ovid’s myth of Pygmalion and Galatea piercing the history of these encounters like a bloody thread. We will single out a universe in which sculptors are equated with surgeons, and in which

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The Indecent Body of Sculpture: Theodor Storm’s Realist te, sensualistic object. This essay considers the ambivalent status of sculpture in German Realist Theodor Storm’s novella . (1875). Storm’s text is preoccupied with questions of decency and indecency, questions that were raised not only by Storm himself, but by contemporary reviewers, as well as vi

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A Token of Triumph Cut Down to Size: Jacob Epstein’s , as Fetish Objecture mounted on a real rock drill, the phallic connotations of which were noted both then and in the work’s subsequent reception. The following year, Epstein returned with ., a reduced version of . that no longer incorporated the drill and featured only the upper part of the figure. Contesting Epstei

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Ethics and Erotics: Receptions of an Ancient Statue of a Nymph and Satyrncient past. I trace receptions of the statue, which represents a mythical sexual encounter, from its Roman context, through its place in Charles Townley’s eighteenth-century collection of antiquities, and then into the British Museum. My analysis reveals that it has variously—often simultaneously—b

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