Titlebook: Screening Twentieth Century Europe; Television, History, Ib Bondebjerg Book 2020 The Editor(s) (if applicable) and The Author(s), under exc

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The Meaning of Small Things: Everyday Drama and History from Below,d families and how history influences them. The chapter is based on a comparative analysis of Edgar Reitz’s famous international success . – . (1984, here called .) and Peter Moffat’s English series . (.–., 2013–2014), which the writer-director himself has called ‘a British .’. The two series are pl

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Living on the Edge: The Roaring Twenties and World Crisis,ion-state landscape, and on the other hand by utopian, revolutionary hopes and dreams of a new life after a terrible war. All dreams in the end collapse after the devastating world crisis in 1929 and the rise of Nazism. Drawing on historical descriptions of this period, the main analytical focus is

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Hell on Earth: World War II Narratives,the most important German and English documentary formats, including docudrama series and period war dramas in the two countries. The main comparative analysis is of the British docudrama series . (2004), where fictional sequences are mixed with documentary dimensions and sequences, and the internat

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Post-war Europe: A Social and Cultural Revolution, towards unification and welfare. In German television culture, historical drama in this period is about families and everyday life from an East–West perspective, for instance . (2010–2018) and . (2015–2018). Other forms of generational period dramas focus on the cultural revolution of the 1960s, on

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Europe 1989 and Beyond: Towards a New Millennium,rman series dealing with the events before and after 1989. Edgar Reitz’s . (2004) is a magnificent realist and symbolic tale of 1989, the new millennium, of memories and divided hopes for an uncertain future. 1989 was a European event, but British series are more focused on the new millennium, often

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Introduction: Mediating European History,counters, which underlines the importance of television documentary and drama for a national and European understanding of history. Expectations of the new century drawn from selected newspapers of 1900 are compared with what later historical research has said about developments in this century.

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History as Mediated and Embodied Narratives, to function psychologically, culturally and socially. The chapter offers a definition and a discussion of different levels of the self and memory. It defines the role of narratives and emotions in historical genres, both fictional and documentary, and the importance of media for our understanding of the past.