Titlebook: Screen Production Research; Creative Practice as Craig Batty,Susan Kerrigan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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,The Naïve Researcher Resisting Methodology: A Ph.D. Experience,ttending to the formal properties of the medium in the moment of ‘making’ whilst taking into the field of attention all of the other complex processes involved in moving-image production. The chapter reflects on how these materialities interrelate and give rise to the practitioner’s research ‘acts’.

温顺

,Afterword: Tacit Knowledge and Affect—Soft Ethnography and Shared Domains,majority of contributors reflect on the production phase of their research projects, the Afterword suggests an alternative approach in the absence of ‘being there’ on set. Using ‘soft ethnography’ to analyse the controversial film ., we focus on some key ‘authors’ (including performers) to examine t

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Lights, Camera, Research: The Specificity of Research in Screen Production,this chapter will explore the question of what, if anything, marks the practice of screen production as a distinct field of academic inquiry. It will also consider whether specific research methods are required to meaningfully capture knowledge about the field.

Obscure

Ethnography and Screen Production Research,l alternatives and additions to reflection on process as a way of constructing knowledge. Ethnographic approaches capture the nuances of the experiential, affective and sensory aspects of everyday life. This chapter argues that there is much to be gained from mingling creative practice research with ethnographic approaches to research.

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,Afterword: Tacit Knowledge and Affect—Soft Ethnography and Shared Domains,c, ‘cognitive two-step’, or our own case study of ‘soft ethnography’, we share an important contemporary upsurge in research that emphasizes a reflexive approach to tacit knowledge, embodiment and affect

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Book 2018like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media

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