Titlebook: Screen Production Research; Creative Practice as Craig Batty,Susan Kerrigan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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书目名称Screen Production Research影响因子(影响力)




书目名称Screen Production Research影响因子(影响力)学科排名




书目名称Screen Production Research网络公开度




书目名称Screen Production Research网络公开度学科排名




书目名称Screen Production Research被引频次




书目名称Screen Production Research被引频次学科排名




书目名称Screen Production Research年度引用




书目名称Screen Production Research年度引用学科排名




书目名称Screen Production Research读者反馈




书目名称Screen Production Research读者反馈学科排名

香料

Lights, Camera, Research: The Specificity of Research in Screen Production, film and television industry, where, at present, knowledge transfer from academic researchers to the wider screen practice community is negligible at best. However, for this to improve, approaches to research need to clearly reflect the specifics of the practice, and demonstrate outcomes that reson

要塞

The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research,institutional setting. A review of the various forms of arts research currently being practiced in higher education reveals the marginalisation of the forms of research and project development conducted by artists in the course making their work, which the academy is loath to acknowledge. To advanc

inchoate

Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact,g screenplay works is not only understood but also celebrated as a legitimate form of knowledge discovery and dissemination. The resulting work of this creative practice research, which we might call the ‘academic screenplay’, thus functions simultaneously as a method of research enquiry and a ‘non-

祖传财产

Control-Group

uveitis

Method in Madness: A Case Study in Practice Research Methods, managerial methods, routines, processes and discourses that help us navigate our way towards creating some kind of impact. In this chapter, I seek to describe and articulate an example of a film project as research, with a particular emphasis on looking at how documentation and critical reflection

IRATE

faculty

周兴旺

,Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documee complexity of reality. Theories of spectator embodiment suggest opportunities to address these conditions through both the content and form of documentary work. Building on Epstein’s . and Marks’s ., this chapter examines a poetic approach to documentary production as one way to activate diverse k