Titlebook: Screen Adaptations and the Politics of Childhood; Transforming Childre Robyn McCallum Book 2018 The Editor(s) (if applicable) and The Autho

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Physiatrist

2634-629X lysis of texts in a range of genres.Views adaptation as a di.This book features a cutting edge approach to the study of film adaptations of literature for children and young people, and the narratives about childhood those adaptations enact. Historically, film media has always had a partiality for t

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,Introduction: ‘Palimpsestuous Intertextuality’ and the Cultural Politics of Childhood,e chapter and subsequent chapters is an interest in the politics of childhood; that is, how childhood is conceived and represented in adapted texts for and about children, and in the recurrence of certain texts and genres within the adaptation industry for young people.

Innocence

The Imperial Child and the Romantic Child: Film Adaptation as Cultural Capital,lore the nature of childhood in the late nineteenth century, the middle of the twentieth century, and the early twenty-first century. C.S. Lewis’ . and Robert Louis Stevenson’s novel in particular have also been subject to shifting interpretations, and successive adaptations reflect those shifts.

AMOR

Angels, Monsters and Childhood: Liminality and the Quotidian Surreal,g of the Frankenstein story and its filmic progeny, this chapter examines how magical realist and Gothic fantasy strategies are used in literature and film to blur distinctions between the real and the fantastic, thus creating a world of the quotidian surreal and raising questions about the nature of being and knowledge.

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Invisible Children: Representing Childhood Across Cultures,rtability of the cultural traditions and metanarratives underpinning aesthetic traditions and the politics and ethics of adapting across cultures, but they also foreground the ways in which ideologies of childhood, subjectivity and national identity are culturally nuanced through the operation of cultural metanarratives.

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