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Titlebook: Science in the Age of Baroque; Ofer Gal,Raz Chen-Morris Book 2013 Springer Science+Business Media Dordrecht 2013 Newton.Scientific Revolut

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书目名称Science in the Age of Baroque
编辑Ofer Gal,Raz Chen-Morris
视频video
概述New interpretations of major themes in 17th century scientific thought.Innovative examination of the Baroque qualities of canonical figures of the scientific revolution from Kepler to Newton.A new his
丛书名称International Archives of the History of Ideas‘ Archives internationales d‘histoire des idées
图书封面Titlebook: Science in the Age of Baroque;  Ofer Gal,Raz Chen-Morris Book 2013 Springer Science+Business Media Dordrecht 2013 Newton.Scientific Revolut
描述This volume examines the New Science of the 17th century in the context of Baroque culture, analysing its emergence as an integral part of the high culture of the period. The collected essays explore themes common to the new practices of knowledge production and the rapidly changing culture surrounding them, as well as the obsessions, anxieties and aspirations they share, such as the foundations of order, the power and peril of mediation and the conflation of the natural and the artificial. The essays also take on the historiographical issues involved: the characterization of culture in general and culture of knowledge in particular; the use of generalizations like ‘Baroque’ and the status of such categories; and the role of these in untangling the historical complexities of the tumultuous 17th century. The canonical protagonists of the ‘Scientific Revolution’ are considered, and so are some obscure and suppressed figures: Galileo side by side with Scheiner;Torricelli together with Kircher; Newton as well as Scilla.   The coupling of Baroque and Science defies both the still-triumphalist historiographies of the Scientific Revolution and the slight embarrassment that the Baroque rep
出版日期Book 2013
关键词Newton; Scientific Revolution; baroque and science; baroque culture; foundations of order; new science of
版次1
doihttps://doi.org/10.1007/978-94-007-4807-1
isbn_softcover978-94-007-9513-6
isbn_ebook978-94-007-4807-1Series ISSN 0066-6610 Series E-ISSN 2215-0307
issn_series 0066-6610
copyrightSpringer Science+Business Media Dordrecht 2013
The information of publication is updating

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Baroque Modes and the Production of Knowledge, the observer, is busy putting to paper the figure of Clio, the muse of history, draped in blue and holding the symbols of her art: the book and the trumpet. On the wall behind her is an elaborate map of the Netherlands (the west facing up), framed by miniature depictions of Dutch towns. Vermeer “ju
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“The Quality of Nothing:” Shakespearean Mirrors and Kepler’s Visual Economy of Sciencenth century. The outlines of this distrust are poignantly expressed in some of Shakespeare’s major plays. Shakespeare’s protagonists initiate a thorough investigation into what kind of knowledge is possible in a world of apparitions and visual deceptions. In his 1604 treatise on optics Kepler confro
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What Exactly Was Torricelli’s “Barometer?”canonical story anchored by the larger historiographical edifice of the “Scientific Revolution” holds that Torricelli was using a new instrumental experimental approach to natural philosophy to demonstrate and measure the weight of atmospheric air. Within this frame, Torricelli’s mercury esperienza
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