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Titlebook: Science Fiction and Digital Technologies in Argentine and Brazilian Culture; Edward King Book 2013 Palgrave Macmillan, a division of Natur

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发表于 2025-3-21 16:27:47 | 显示全部楼层 |阅读模式
书目名称Science Fiction and Digital Technologies in Argentine and Brazilian Culture
编辑Edward King
视频video
图书封面Titlebook: Science Fiction and Digital Technologies in Argentine and Brazilian Culture;  Edward King Book 2013 Palgrave Macmillan, a division of Natur
描述Fictional narratives produced in Latin America often borrow tropes from contemporary science fiction to examine the shifts in the nature of power in neoliberal society. King examines how this leads towards a market-governed control society and also explores new models of agency beyond that of the individual.
出版日期Book 2013
关键词Comic; culture; cyberspace; memory; Narrative; nature; society
版次1
doihttps://doi.org/10.1057/9781137338761
isbn_softcover978-1-349-46416-6
isbn_ebook978-1-137-33876-1
copyrightPalgrave Macmillan, a division of Nature America Inc. 2013
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Edward Kingdenden Wirtschaftssubjekt beeinflussen lassen. Beispiele hierfür sind alle tatsächlichen Natureinflüsse, wie das Wetter, zufällige Qualitäts- und Maßschwankunge978-3-7908-0424-9978-3-642-51494-4Series ISSN 1431-2034
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Science Fiction and Digital Technologies in Argentine and Brazilian Culture
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Science Fiction and Digital Technologies in Argentine and Brazilian Culture978-1-137-33876-1
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n die Autoren implizit davon aus, daß die zugehörigen Realisierungen der Zufallsvariablen „sehr nahe“ an ihren jeweiligen Erwartungswerten liegen, so daß die Nichtnegativität der Nachfragemengen und -funktionen bzw. der realisierten Stückkosten gewährleistet ist.. Diese implizite Unterstellung wider
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Race and the Digital Body,se stereotypes are more often than not reproduced and reaffirmed in the digital world. “Cybertypes” is the term she uses for the reaffirmation of racial and gender stereotypes as a way of “stabilizing a sense of the white self and identity that is threatened by the radical fluidity and disconnect be
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: Cyberspace as Frontier,atives to make political points was a tried and tested strategy, employed through different media from the comic book, in . (1957–1959) by Héctor Germán Oesterheld with artwork by Francisco Solano López, to film, in Hugo Santiago’s . (1969) and Eliseo Subiela’s . (1986). This is not to say that a tr
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