Titlebook: Schwarzenegger; Uses of the Foreign Gábor Gergely Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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Policeman,t the axe that can be a mirror tells us about the Matrix family home as a site perpetually at risk of disruption and violence in which non-normative modes of perception and observation give Matrix an advantage over intruders.

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Destroyer, is a manner of producing space, is mediated visually and sonically. I attend especially to the latter to show how what we will call, after Nancy, the ‘sonorous presence’ (Nancy in Listening [C. Mandell, Trans.]. Fordham University Press, 2007, 13–14) of the foreign body—in the space imagined by/via

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Book 2022framework. It offers very close readings of the film texts, of the roles Schwarzenegger performs, and the rhetorical strategies he adopts outside his film performances to show that in spite of attempts to occupy the position of an emblematic member of the U.S. national body Schwarzenegger remains ir

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philosophy, post- and decolonial and sound theory to advanc.This book analyses the uses of Arnold Schwarzenegger as a foreign star in Hollywood through a film philosophical, de-westernizing and sonic critical framework. It offers very close readings of the film texts, of the roles Schwarzenegger pe

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the partition. We here address the problem of computing locally maximum cuts in general undirected graphs in a distributed manner. To achieve this, we interpret these cuts as the pure Nash equilibria of a .-player non-zero sum game, each vertex being an agent trying to maximize her selfish interest

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Gábor Gergely the partition. We here address the problem of computing locally maximum cuts in general undirected graphs in a distributed manner. To achieve this, we interpret these cuts as the pure Nash equilibria of a .-player non-zero sum game, each vertex being an agent trying to maximize her selfish interest

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