Titlebook: Scham — ein menschliches Gefühl; Kulturelle, psycholo Rolf Kühn,Michael Raub,Michael Titze Book 1997 Springer Fachmedien Wiesbaden 1997 Aff

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书目名称Scham — ein menschliches Gefühl影响因子(影响力)




书目名称Scham — ein menschliches Gefühl影响因子(影响力)学科排名




书目名称Scham — ein menschliches Gefühl网络公开度




书目名称Scham — ein menschliches Gefühl网络公开度学科排名




书目名称Scham — ein menschliches Gefühl被引频次




书目名称Scham — ein menschliches Gefühl被引频次学科排名




书目名称Scham — ein menschliches Gefühl年度引用




书目名称Scham — ein menschliches Gefühl年度引用学科排名




书目名称Scham — ein menschliches Gefühl读者反馈




书目名称Scham — ein menschliches Gefühl读者反馈学科排名

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ots movement.. Narrating the history of the early abolitionist movement from below is problematic, however. Ideally, one would want the story to end in 1792 when the House of Commons resolved to abolish the British slave trade, albeit gradually, following a massive petitioning campaign throughout th

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Philipp Steger, on the brink of the Bicentennial carnival week.. This constituted a brilliantly compressed, but not reduced, account of the different forces swirling within the culture wars, and inheritance debates, thrown up by the anniversary. Young clearly outlined how interest groups with axes to grind, and c

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Micha Hilgersdern audience has long been recognized as central to the early modern stage, it has also, for reasons of evidence and scholarly focus, been curiously set apart from the experience of the drama of the period. There is no shortage of fascinating work on the early modern audience as a demographic entit

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Hermann Geissbühler,Willi Nafzgerist—who employ and rework racist stereotypes in their work. In 1996, Suzan-Lori Parks’s play . premiered at Yale Repertory Theatre. The following year, Kara Walker won a MacArthur Fellowship and had her work chosen for inclusion in the Whitney Biennial, among other high-profile exhibitions during th