Titlebook: Saul Bellow and the Decline in Humanism; Michael K. Glenday Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited 1990

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2946-9422 Die of Heartbreak", the author argues that Bellow‘s vision of modern American culture denies the possibility of humanist enlightenment for his heroes.978-1-349-10774-2Series ISSN 2946-9422 Series E-ISSN 2946-9430

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Introduction: Saul Bellow and Humanism, Saul Bellow, speaking about his novel . (1982). The reality to which he refers, and the suggestion that there is in American culture a desire to escape into an inauthentic version of reality are concepts which bear upon the central aesthetic and ethical tenets of his writing. He has said that ‘with

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The Costs of Surrender: , and ,ears of his life as a novelist. There is, firstly, the annunciation of his intention to depart from that school of writing that had Hemingway as its founding father. ‘For this is an era of hardboiled-dom. Today, the code of the athlete, the tough boy … that curious mixture of striving, asceticism, a

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A Fugitive Style: ,estimations of its worth. Though literary historians can continue to find a convenient niche for it as a work of protest against the tranquillised 1950s, an activist novel in Eisenhower’s decade of inertia, it is more properly seen as a work that conceals its protagonist’s existential despair beneat

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Everything Merely Human: ,, The Short Fiction, , like relief that many reviewers remarked this apparent reconciliation. Salman Rushdie confidently asserted that ‘like his dean, Bellow looks up to the stars with awe; but he knows the stars are not his job; his place, and his subject, is the earth’.. And in the figure of Albert Corde, embroiled as

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