Titlebook: Ruskin, the Theatre and Victorian Visual Culture; Anselm Heinrich (Lecturer in Theatre Studies),Kath Book 2009 Palgrave Macmillan, a divis

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Breach

Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodieso circumstances to draw attention to him or herself - was, for a variety of reasons, disturbingly conspicuous. Supers or extras or walk-ons or ‘guests’ or spear-carriers (as they were variously known) were frequently and disastrously recognisable to theatre audiences. ÀBeckett began,

Deadpan

John Ruskin, The Olympian Painters and the Amateur Stagehe thoughts of all the greatest and wisest men hitherto, since the world was made, have been expressed through mythology’.. His works began to carry mythological titles — . (about Athena) — as he proceeded to explore a mythical symbolism which he believed encoded timeless moral teachings, explained

invert

Dissonance

Ruskinian Moral Authority and Theatre’s Ideal Womanels, which he referred to as ‘Kisty Mins’; comique operas such as Edmond Audran’s ., which he referred to by its French title, ‘.’, and described as a ‘naughty opera’; romantic comedies such as Edward Bulwer Lytton’s .; and pantomimes such as ... He publicly expressed his preference for such lighter

挣扎

Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’ inconsistency, pride, hypocrisy, ignorance of itself, love of art, of luxury and of good Latin. It is nearly all that I said of the central Renaissance in 30 pages of the . put into as many lines, Browning’s being also the antecedent work. The worst of it is that this kind of concentrated writing n

ARBOR

Ruskin and the National Theatreonal playhouse concerned with popularising ‘good drama’ (particularly Shakespeare) and educating the public through ‘the standardization of the best’.. Wilson, like John Ruskin, believed in popular education and the moral function of theatre. Alfred Lyttelton, the great campaigner for a National The

Biomarker

The First Theatrical Pre-Raphaelite? Ruskin’s Molièrees a personal canon that includes, unsurprisingly, the works of Dante Alighieri, specific poems by Lord Byron and the fiction of Sir Walter Scott. The list is idiosyncratic, chiefly for those books and writers that it omits: neither William Wordsworth nor Thomas Carlyle, such potent literary forefat

食料

The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatreof Henry Irving and Herbert Beerbohm Tree in particular.. The interaction between the minor, or non-West End, popular theatres and other forms of visual culture has received less attention. The Britannia Theatre in Hoxton makes a useful case study to explore the dynamics of this relationship. The Br

安装

Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodiesr that this theatrically necessary character - who was expected to be present in sufficient numbers when required, but to remain anonymous and under no circumstances to draw attention to him or herself - was, for a variety of reasons, disturbingly conspicuous. Supers or extras or walk-ons or ‘guests