Titlebook: Romanticism, Hellenism, and the Philosophy of Nature; William S. Davis Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Hype

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ues that the study of Romanticism benefits from an understan.This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hölderlin, Johann Wolf

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,Intellectual Intuition: With Hölderlin, “Lost in the Wide Blue”,view of nature into German Idealist philosophy, in part, by transforming the concept of “intellectual intuition.” Key to understand the novel is thus the idea of an intellectual form of intuition that opens possibilities of non-material connections with a world of things that are dynamically alive and interconnected.

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The Philosophy of Nature: Goethe, Schelling, and the World Soul,tion of the classical. Indeed, we cannot fully understand Goethe’s aesthetic theory, including his notion of ideal art as “spiritually organic,” without first understanding how spirit (.) and the organic are interrelated. To understand this relation, we must look to the philosophy of nature.

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Paradox

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Introduction: Romantic Hellenism, the Philosophy of Nature, and Subjective Anxiety,f aesthetic and ontological wholeness, unite in the production of metaphors and figures of . that resist this subjectivism and solipsism. Nature and Hellenism join forces in the face of subjective anxiety.

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d in each section give perspective and a spirited launch to the segment;preludes help put ideas into context. Mathematicians and researchers in several applied disciplines will find the breadth and depth of the treatment of the subject highly useful..

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