Titlebook: Romanticism and the Museum; Emma Peacocke Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Great Britain.Imag

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Changing the Subject: Aesthetic Displacement, Museum Display, and the French Revolution in ,, permanent Lake District Defence Society (LDDS) to preserve the landscape so dear to Wordsworth. Rawnsley’s advocacy was so forceful that the Wordsworth Society joined .; ‘in the surviving list of members [of the LDDS] the whole of the Wordsworth Society is entered as a single item’ (Gill, . 258). I

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Carving Out the Public Sphere: Romantic Literary Periodicals and the Elgin Marbles,nce to bear on British history as much as on ancient civilizations’. British writers, painters, sculptors, politicians and antiquaries debated the purchase question from all sides. This chapter focuses on two works in which the Marbles’ location in the British Museum is an immense concern, thanks to

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Epilogue,zes that he has lost his train of thought. Never mind, he instructs the reader, let it go:.The people of the future will look back on the creatures of 1823 as:.Byron’s mention of Cuvier is really what detonates this passage. Georges Cuvier (1769–1832) did not originate the idea that species can beco

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Introduction,le that tells us no less about the British public sphere in the 1820s: the .’s nineteen-page review of the . of the British Museum’s Trustees. The reviewer declares straight away that:.The museum is an item of interest in itself, and its review echoes and amplifies Hazlitt as a part of Francis Jeffrey’s literary and political project.

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,Reframing the National Imagination in Maria Edgeworth’s ,,Where . is a meditation on how we construct history, . is a deconstruction of nationalist mythologies. In ., portrait galleries provide a lens to see the distance between the cultural past and present; in ., galleries and museums provide a tool to dissect the national imaginary, and even to correct its pathologies.

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978-1-349-50095-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2015

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