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Titlebook: Romanticism and Blackwood‘s Magazine; ‘An Unprecedented Ph Robert Morrison,Daniel S. Roberts (Reader) Book 2013 Palgrave Macmillan, a divis

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发表于 2025-3-21 19:30:45 | 显示全部楼层 |阅读模式
书目名称Romanticism and Blackwood‘s Magazine
副标题‘An Unprecedented Ph
编辑Robert Morrison,Daniel S. Roberts (Reader)
视频video
丛书名称Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
图书封面Titlebook: Romanticism and Blackwood‘s Magazine; ‘An Unprecedented Ph Robert Morrison,Daniel S. Roberts (Reader) Book 2013 Palgrave Macmillan, a divis
描述This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyze Blackwood‘s wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.
出版日期Book 2013
关键词fiction; Percy Bysshe Shelley; Romanticism; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137303851
isbn_softcover978-1-349-33853-5
isbn_ebook978-1-137-30385-1Series ISSN 2634-6516 Series E-ISSN 2634-6524
issn_series 2634-6516
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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John Gibson Lockhart and ,: Shaping the Romantic Periodical Pressg Sangrado, be a little more sparing of extenuatives and soporifics in your practice than you have been in your poetry’.. Ironically, some modern critics, passionate about their own subjects, occasionally have been guilty of the same personal attacks that they have criticized in Lockhart’s writing a
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Camaraderie and Conflict: De Quincey and Wilson on Enemy Lineseption, and each had a profound impact on the other’s magazine work. What is more, their friendly competitions and highly productive exchanges persisted even when De Quincey defected from . and began to write for the ., for the two publications had a good deal in common despite the bad blood between
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The Art and Science of Politics in , 1817–1841to modern politics. Debates about sovereign debt in the pursuit of conquest abroad, or the price of reform (whether corn laws or poor laws) at home, provoked much consternation in all the periodicals. In ., although the tone was often bombastic, its rhetoric relied upon several ruling clichés of pol
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The Edinburgh of , and James Hogg’s Fiction, ‘to be published in a city, than which Memphis or Palmyra could scarcely have appeared a more absurd place of publication to any English author thirty years ago’ (II, 166). The comparison is revealing, both the Syrian city-state of Palmyra and Egyptian Memphis eventually losing their vitality when
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‘A character so various, and yet so indisputably its own’: A Passage to ,ced Thomas De Quincey in 1827; ‘and it would be too much to expect, that ten years of brilliant writing should dissolve the inveterate associations which almost a century of dulness had gathered about that title’. Yet as De Quincey went on to acknowledge, these associations did not prevent . from ra
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Beginning , The Right Mix of Dulce and Ùtile publication that finally had found its several voices. It had not been easy. Eight months before, William Blackwood had written to Baldwin, Cradock and Joy, London publishers of his . (April-September 1817), to warn them of their joint venture’s imminent demise: ‘I am sorry to inform you that I hav
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