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Titlebook: Romanticism; A Structural Analysi David Morse Book 1982 David Morse 1982 eighteenth century.history of literature.literature.nineteenth cen

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发表于 2025-3-21 20:05:24 | 显示全部楼层 |阅读模式
书目名称Romanticism
副标题A Structural Analysi
编辑David Morse
视频video
图书封面Titlebook: Romanticism; A Structural Analysi David Morse Book 1982 David Morse 1982 eighteenth century.history of literature.literature.nineteenth cen
出版日期Book 1982
关键词eighteenth century; history of literature; literature; nineteenth century; Romanticism; structural analys
版次1
doihttps://doi.org/10.1007/978-1-349-05265-3
isbn_ebook978-1-349-05265-3
copyrightDavid Morse 1982
The information of publication is updating

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https://doi.org/10.1007/978-1-349-05265-3eighteenth century; history of literature; literature; nineteenth century; Romanticism; structural analys
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The Transposition of Gothicic as real; where she hinted at illicit sensuality and gestured towards obscure crimes, Lewis openly presented and described. What made the book all the more disturbing was the equivocal attitude which Lewis took towards his subject: behind a genteel deploring of such nefarious goings-on can be disc
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The Folktalenced, but as specific to the person who assumes the role of artist. That is to say, the theme of the artist in Romantic literature has distinctive implications. It predicates a cleavage between the artist and the world and the work of art appears in the guise of resolution and absolution.
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The Social Novel and the Gothiced the Sentimental novel, with which it has certain affinities. There is no real continuity and we must rather explain why novelists should have closed their . and reopened their ., and why even writers who were certainly influenced by Rousseau, such as Anne Radcliffe and Charlotte Smith, should nevertheless have eschewed the model of ..
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