Titlebook: Romantic Visualities; Landscape, Gender an Jacqueline M. Labbe Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 199

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compose

,‘A species of knowledge both useful and ornamental’: Travelling the Romantic Landscape,mportant not only for the straightforward and detailed way in which it lays out its objectives, but also for the evasions and tensions it contains. As she does throughout her narrative, Wakefield both embraces and skirts her position as tourist; most significantly, she avoids appearing to be an actu

左右连贯

Aesthete

Conclusion,d writers, both male and female, subscribed to the vocabulary that allowed them to participate in this power. Male authors with greater or lesser degrees of ease assumed the mantle of authority granted by the prospect and associated the detail and the landscape view with a debilitating weakness and

Myofibrils

Book 1998e Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic trac

Customary

自制

Engendering Landscape Perception: Romanticism and the Standards for Looking, despite Campbell’s republican emphasis on those undefined ‘people’ who can progress from the confined ‘bottom’ to the ‘lofty peak’, such a journey is not so easily undertaken after all. Indeed, a twentieth-century critical analogue to Campbell’s utopian scheme would be John Barrell’s intensely historical rendering of the same ideal:

disrupt

酷热

An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.978-0-230-37293-1

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