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Titlebook: Robert Louis Stevenson and the Appearance of Modernism; Alan Sandison Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Lim

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书目名称Robert Louis Stevenson and the Appearance of Modernism
编辑Alan Sandison
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图书封面Titlebook: Robert Louis Stevenson and the Appearance of Modernism;  Alan Sandison Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Lim
描述Despite attracting the admiration of Modernists like Nabokov and Borges, Stevenson remains for many an apologist for the lost world of the romance. This is not only to misread and simplify his fiction, it is greatly to undervalue his lively, forward-looking literary essays. Strenously resisting the authority of the literary ‘fathers‘ (though haunted by the complexities of paternity), Stevenson reveals strong affinities with emergent Modernism. It is from this perspective that Alan Sandison‘s latest book (the first to appear for nearly thirty years) conducts a lively and readable re-examination of this often underrated writer.
出版日期Book 1996
关键词fiction; Modernism; Robert Louis Stevenson; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230376397
isbn_ebook978-0-230-37639-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1996
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and ,: The Missing Storey,. In Chapter 1 he tells us that he is sixteen but in Chapter 27 he tells Rankeillor very precisely that he was born on the 12 March 1734, which makes him seventeen. A mere slip of the pen? Perhaps, but we have long been taught to regard such slips as significant.
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Alan Sandisones, contouring examples, treatment planning techniques, and dosimetry for the comprehensive treatment for each disease site, .Handbook of Image-Guided Brachytherapy. is a valuable resource for practicing radiation oncologists, physicists, dosimetrists,  residents, and medical students.   .978-3-319-44825-1978-3-319-44827-5
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but with characteristics that go in the direction of imitating certain functions of the human visual system. Methods for 3D reconstruction are described, that make use of multiple cameras by observing the scene from multiple points of view, or sequences of time-varying images acquired from a single
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