Titlebook: Richard Wright; New Readings in the Alice Mikal Craven,William E. Dow Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011

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Seeking Salvation in a Naturalistic Universe: Richard Wright’s Use of His Southern Religious Backgrokind and developed a vision of life that was essentially secular. Even Coleman argues that Wright categorically rejected black religion, forcing him to envision “a hollow, hopeless and desolate universe” (203).

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The Political Art of Wright’s “Fire and Cloud”ommitted, who is aligned with his people and his religious tradition but in a way that allows Wright to explore ideas more radical than the troubled, moderate Rev. Taylor is willing to accept. Wright assumes that we know about the radical Southern Tenant Farmers’ Association and the role of Communist Party organizers in the South.

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From New Chicago Renaissance from Wright to Fair Modern and Postmodern Eden: Richard Wrighte human promise that needed to awaken new dreams and resources that, once dismissed as public refuse, would need to be reclaimed. All would reach for a revolutionary language to depict a city that had either broken or tried to smash the spirits of its black citizens.

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“White People to Either Side”: , and the Poetics of Spacethe phrase “white people to either side” is echoed in the novel’s closing stages, then the narrative follows the same strategy. In full, the first sequence reveals an interracial dynamic mediated through a vocabulary of physical constraint, expressive of Bigger’s sense of bodily entrapment, if not actual (desire for) obliteration:

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