Titlebook: Revolutionary Imaginings in the 1790s; Charlotte Smith, Mar Amy Garnai Book 2009 Amy Garnai 2009 Britain.French.French revolution.Great Bri

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STING

Introduction,, journals and letters, as well as in literature. These texts provide access to the cultural climate of the 1790s, including the pressure exerted by a dominant conservative public opinion and its accompanying backlash on supporters of the original ideals and values of the Revolution.

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,“A Disciple of a Better System”: Charlotte Smith II,e, I will show how Smith once more situates her political critique unequivocally on the radical side of the debate. At the same time, here, too, as in her earlier work, various textual and paratextual markers indicate the anxiety that invariably accompanies the presentation of a reformist narrative in a time of political oppression.

REIGN

,“Under a Despotic Government”: Elizabeth Inchbald II,e multiple levels of restraint imposed on the dramatic writer — the theatre managers who were to accept, revise and modify the manuscript play, the all-powerful audience, whose approbation was continually a source of anxiety for her and the Chief Examiner of Plays, who was to scrutinize its political and otherwise objectionable references.

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Introduction,rlotte Smith (1749–1806), Mary Robinson (1758–1800) and Elizabeth Inchbald (1753–1821) and their response to the French Revolution and its aftermath. Smith, Robinson and Inchbald addressed the Revolution and its implications for British society in their novels, drama and poetry, and in doing so, too

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,“A Disciple of a Better System”: Charlotte Smith II, cultural moment, this chapter seeks to show how Smith returned to a more overt progressive positioning, even as the reactionary backlash of the final years of the eighteenth century became more and more profound. Beginning with a brief glance at two poems included in the second volume of her . (179

Ballerina

,“Poetry [and] Politics”: Mary Robinson I,ns informed concurrently by the pressures of financial need, and her response to the French Revolution and its aftermath is likewise shaped by an identification with victimhood and vulnerability drawn from personal experience.. Robinson’s identification with the Revolution is differently nuanced fro

BROTH

,“The Best and the Wisest”: Mary Robinson II,omestic reform, Robinson’s reflections on, and desire for, community are expressed, variously, through her identification with the vulnerable and persecuted celebrity shared with Marie Antoinette, with the shared endeavor of women intellectuals and with the radical circles of London. Furthermore, th