Titlebook: Revisiting and Revising the Fifties in Contemporary US Popular Culture; Self-Reflexivity, Me Eleonora Ravizza Book 2020 The Editor(s) (if a

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Introduction: Happy Days Are Here Again,le’s unity, and Elvis Presley—all of which are elements that characterize the mainstream narrative of the fifties. The delegates who answered the 1980s—a decade that attempted to recover some elements of the 1950s—unanimously credited Ronald Reagan’s presidency for America’s greatness.

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Fifties Self-Reflexivity: Pleasure, Media, and Cultural Politics,game has diverged from its real-life counterpart after World War II but, though the post-apocalyptic society is much more technologically advanced due to their harnessing of nuclear power, the aesthetics of this future are those of the fifties.

Androgen

The Melodramatic Mode: Suffering Bodies and Troubled Minds,the stylized overemotionality, the penchant for formal elements that overwhelm, in wild disproportion, the actual plot or ‛theme’ of a movie” (“Melodramatic”). The films released at the beginning of the 2000s are not an exception, but they merely reflect a cyclical popular interest in melodrama.

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Book 2020gues that, due to the visual nature ofthe fifties—crystallized in American consciousness through thewidespread influence of television—most contemporary attempts to reworkand rewrite the regressive gender, queer, and racial politics fall shortof such a revisionist reevaluation..​

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Conclusion,ly opposite reactions on the political spectrum: While on a progressive side, more civil rights for minorities have been welcomed as long overdue, on the conservative side especially, some white, male, working-class Americans have reacted with fear and with nostalgia for an allegedly ‘simpler’ era.

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