Titlebook: Return to Twin Peaks; New Approaches to Ma Jeffrey Andrew Weinstock,Catherine Spooner Book 2016 The Editor(s) (if applicable) and The Autho

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Jacques Lacan, Walk with Me: On the Lettersively uncanny. For in the logical circuits of repetition and return, it is hardly coincidental that we have already witnessed the co-incidence, mediated by the mirror image, of Leland Palmer (Ray Wise) and BOB (episode 14). As the host who carried what Dexter Morgan of the Showtime TV series might

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Lodged in a Fantasy Space: , and Hidden Obscenities the series lends support to Jonathan Rosenbaum’s critique that “ . is ideologically no different from other prime time serials” (25). In one sense, Rosenbaum is correct: the series promulgates ideological fantasies as much as any other television program. But what he fails to see is that . takes a

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“Doing Weird Things for the Sake of Being Weird”: Directing Ball, to name just a few, as auteurs within the television industry (17). This stands in contrast to the cinema where the director is usually held to be the leading creative force and/or auteur, overseeing all aspects of a film’s production and binding the creative elements together into one cohere

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Trapped in the Hysterical Sublime: ,, Postmodernism, and the Neoliberal Nowertson) voice. We suspected there was no real meaning to the thing, that it was a game of some sort where the search for meaning was more significant than the meaning itself. That too was exciting. And even when perplexed and frustrated by its endless deferrals, as happened often during the second s