Titlebook: Rethinking Identities Across Boundaries; Genders/Genres/Gener Claudia Capancioni,Mariaconcetta Costantini,Mara M Book 2024 The Editor(s) (i

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,‘My tongue doesn’t believe in boundaries’: A®tivism Across the US/Mexico Border,mer US President Donald Trump, can be virtually penetrated. A®tivistic performances, which crisscross genres from a gendered perspective, may help navigate and document the complexities of the border since they constitute a counter imaginary, generate healthier relationships across the border, allow community healing, and fight de-humanization.

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,An Unresolved Crossing: David Foster Wallace’s ‘Oblivion’,es us to navigate suffering, resistance, and forgetfulness by inhabiting the liminal dizzying space of being across borders, neither here nor there, but both here and there, handling events and emotions that are named through their being forgotten.

不朽中国

,Crossing Gender: Andy Warhol’s Candy Darling, America, and Angela Carter’s ,the borderlands of gender and genre and how she plays with Simone de Beauvoir’s theories, as well as with concepts later theorised by Judith Butler. The novel is also a parody of radical feminist groups, the rising visibility of men in drag, and the clash of the counterculture against reactionary homophobic and transphobic forces.

Resign

ovative take on the changing genera of borders at the intersThis collection of essays aims to widen the current critique on borders by examining their entanglements with constructions of identity and disciplinary categories. In particular, it calls into question established models of gender, notions

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Spivak and Sontag: Deconstructing Borders Through a Philosophical Appraisal of Literature, and original critical thinking in the field of the philosophy of literature. More specifically, the comparison develops links between two autobiographical texts by Sontag—. (2008) and . (2012)—and three works by Spivak—her translator preface to Derrida’s . (1976), ‘Love me, love my ombre, elle’ (1984), and . (2003).

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978-3-031-40797-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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