Titlebook: Rethinking Genre in Contemporary Global Cinema; Silvia Dibeltulo,Ciara Barrett Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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Introduction: Genres in Transition, and media studies is predicated. While pointing out the changes within generic modes of production, distribution, marketing, exhibition and reception, the authors argue for a reconception of the category of film genre as one “in transition,” in light of an increasingly globalized mediascape. To thi

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Modern Bromance, Mikhail Bakhtin, and the Dialogics of Alteritynce” are consistently undermined by an investment in heteronormativity. Otherness, alterity, and transgression are similarly key features that serve to problematize the structures of representation while simultaneously delimiting and delegitimizing otherness. Situating the bromance in the history of

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The “Smart” Teen Film 1990–2005: Identity Crisis, Nostalgia, and the Teenage Viewpointracterized by blank, ironic, or distanced “sensibility” or tone, and preoccupied with questions of identity—which emerged in the intersection of independent and mainstream cinema in the 1990s. The “Smart teen film” examines issues of personal identity, class, sexuality, and (often) masculinity, rebe