Titlebook: Resounding International Relations; On Music, Culture, a M. I. Franklin (Senior Lecturer in Social and Poli Book 20051st edition The Editor

刻苦读书

A Medium of Others: Rhythmic Soundscapes as Critical Utopiaseal, rhythmic tension, and restraint in emotional and technical expression—while typically seen as musical and aesthetic qualities (see below), also construct soundscapes that serve as living illustrations, quasi-experiments, and critical Utopias on how to relate to others in the wider drama of social life.

独轮车

牛的细微差别

Concentrated Industry, Fragmented Consumption: The Global Music Industry in the New Millenniumas repeatedly contributed to shifts in the distribution of reproduced music, driving some companies out of business and helping others get started. Digitization . have a similar impact on the way we receive, appreciate, and “use” music in our lives as the first technologies that enabled specific per

防锈

Sounds Complicated? Music, Film, and Media Synergiesransnational media production and distribution. The multiple dimensions of social and political change that have contributed to the evolving global media environment have also been widely addressed (see Anderson and Strate 2000; Doyle 2002; Hesmondhalgh 2002; McChesney 2004). It is now generally ack

Angioplasty

Sharing as Piracy: The Digital Future of Musicated into numerous commercials and even played at the Olympics; but had an ironic twist. Taiwanese singers, Difang and Agay, discovered that their voices appeared on the “Return to Innocence” track without their permission. The singers, part of the indigenous Ami tribe, had been recorded while givin

Hemodialysis

farewell

Do It Yourself: Punk Rock and the Disalienation of International Relations one or two electric guitars, a bass guitar, and amplifiers. You will also need microphones and an inexpensive PA. You will need a place to practice, and it is best if everyone commits to practicing for a couple of hours two or three times a week. Listen to punk rock together, and pick out half a do

青春期

Feature

“My Dance Immoral? , No!” , Music and Gender Politics in Contemporary Indonesia Sukarnoputri, the country had not yet been able to economically or politically stabilize itself. Tremendous unemployment, flaring religious and political conflicts, and increasing corruption scandals delineated the times. Despite the troublesome situation, however, a young woman singer and dancer o

GEON

Of Things We Hear but Cannot See: Musical Explorations of International Politicsvident. The terrifying realities of conflict and the search for peace have inspired composers throughout history, from Joseph Haydn’s antiwar message in . to the astonishing outpouring of musical creativity following the terrorist attack of September 11, 2001. Few would question the political conten