Titlebook: Representations of Science in Twenty-First-Century Fiction; Human and Temporal C Nina Engelhardt,Julia Hoydis Book 2019 The Editor(s) (if a

ADAGE

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不再流行

Pelvic-Floor

Digital Technologies and Concrete Poetry: Word, Algorithm, Body,ht a connection between the poetic text (seen both as a ‘constellation’ of codes of communication and an ‘invitation’ to actively participate in the aesthetic practice), the algorithm that defines the reading process and the poetics of the literary work, and the body of the viewer/reader. The chapte

LUMEN

,Towards a Posthumanist Conceptualization of Society: Biotechnology in Margaret Atwood’s , Trilogy a as well as ontological changes of humanity and the human. Drawing on debates in the field of posthumanism in my analysis of Margaret Atwood’s . trilogy and Ruth Ozeki’s novel ., I demonstrate the significance of literary contributions to the topic. From an ethical vantage point grounded in critical

征兵

Charade

安慰

,“It’s for Fellows Only!”: On the Postcolonial Stance of Matthew Brown’s Maths Film ,pline meet. One is the self-taught Indian mathematician Srinivasa Ramanujan (1887–1920) and the other is G.H. Hardy (1877–1947), distinguished professor at the University of Cambridge. Based on a critical analysis of Matthew Brown’s biographical film . (2015), starring Dev Patel and Jeremy Irons, th

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,Thomas Pynchon’s , and the Technologies of Modernism,ostmodernism and modernism conforms to Timothy Vermeulen and Robin van den Akker’s account of metamodernism. De Bourcier reads the Kafkaesque story of Lew Basnight through Slavoj Žižek’s opposition between modernist absence and “The Obscene Object of Postmodernity.” The chapter examines Pynchon’s en

Inflamed