Titlebook: Representation in Steven Universe; John R. Ziegler,Leah Richards Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Introduction,imilar contextualization within the anime tradition, noting influences such as serialization and a greater presence of queerness and “good” monsters compared to American children’s animated television. In closing, Ziegler and Richards summarize the contributors’ chapters and point to additional avenues for future research.

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Drawing Queerness Forward: Fusion, Futurity, and ,queernesses resistant to limiting discourses. The essay concludes with a meditation on the default academic pessimism toward radical visual media produced in corporate circumstances, like ., and evaluates the show’s methods to bypass that pessimism.

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Change Your Mind: Cultural Memory and Reconciliation,es are created, learned, and altered by points of resistance, Rebecca Sugar and her team offer a possible path toward cultural and mnemonic reconciliation, using the healing of the corrupted Gems as a model for addressing the crimes that post-conflict cultures attempt to repress.

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Globalizing Fandoms: Envisioning Queer Futures from Kunihiko Ikuhara to Rebecca Sugar,ed rituals of the body. Finally, Ristola illustrates how participation by the production staff of . in a fandom shaped by the increasing transnational distribution of anime since the 1990s enabled the series’ transnational anime influences, with contemporary understandings of fandom shaping the series’ production as well.

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,Contact Zone Earth: Power and Consent in , and Octavia Butler’s ,’,unication norms enable consensual symbiosis between humans and aliens. Despite the aliens in both cases conceptualizing themselves as more capable and complex, these norms lead to mutual respect and the sharing of power in . in contrast to the eating of humans and exploitation of reproductive labor in ..