Titlebook: Representation and Identity from Versailles to the Present; The Performing Subje Alan Sikes Book 2007 Palgrave Macmillan, a division of Nat

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Liberty, Equality, Festivity: Citizen Action and the Libratory Legacy of the French Revolution,ce for three years to study its farming methods, was already acquainted with the rebellion fomenting in France. In Strasbourg, however, the spirit of rebellion had blossomed into open revolt; writing of his journey through France, Young recalls his perilous entrance into the city: “I arrived at a cr

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,Conclusion: Queer Horizons—Postmodern Performativity and Political Action,endlessly capture his image. In stepping through the void, Truman insists that some aspect of himself will heretofore resist total subsumption into his image. Truman, in other words, insists upon the horizon of the intelligible, the gap between self and image that renders the latter perpetually inco

neutrophils

,“Snip Snip Here, Snip Snip There, and a Couple of Tra-La-La’s”: The Rise and Fall of the Castrato Sbetween them for decades, Farinelli offers to return a recently stolen operatic score to the great composer. Handel is naturally suspicious of his old nemesis—the current star at the rival Opera of the Nobility—and wonders how his score fell into the hands of Farinelli:

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2947-5767 ry and historiography and is grounded in a body of research about varied performance subjects from court dance, ballet, opera, festivals, celebrations, propaganda films, Hollywood movies to reality TV.978-1-349-53782-2978-0-230-60561-9Series ISSN 2947-5767 Series E-ISSN 2947-5775

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Book 2007Sikes traces the shifting role of performance in the fashioning of subjectivity from the Modern to the Postmodern eras. The book joins history and historiography and is grounded in a body of research about varied performance subjects from court dance, ballet, opera, festivals, celebrations, propaganda films, Hollywood movies to reality TV.

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丑恶

978-1-349-53782-2Palgrave Macmillan, a division of Nature America Inc. 2007