Titlebook: Remitting, Restoring and Building Contemporary Albania; Nataša Gregorič Bon,Smoki Musaraj Book 2021 The Editor(s) (if applicable) and The

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Photography and ,: Past, Present, and Future in Two Photographic Albums on Communist Albania,mmunist period (1944–1991) which had been suffering since the end of the communist rule from the negative stereotype of “propaganda photography.” As such, their publication appears as the sign of a change in the way the communist past is perceived today in Albania. After a presentation of the anthro

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Within the Same Frame: Past, Present, and Difference in Contemporary Albanian Art,atus as artists working in the “European periphery”. Focusing on various artworks, it argues that the incorporation of local histories, experiences, and subjectivities is one way in which artists negotiate these countervailing forces. It questions how Albanian artists selectively restore the distant

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Temporalities of Concrete in the Communist and Postcommunist City,of concrete in official rhetoric, public discourse, and informal conversation in the cities of Tirana and Saranda, this chapter explores changing qualisigns and temporalities associated with this material. This chapter traces various temporalities of past, present, and future articulated in these di

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,Kuçedra’s Waterways: Restoring Authority and Building Vitality,n Kuçedra dwell in Albanian waters, permeate the meaning of the “state”, and generate the relation to authority? By following the waterways of Kuçedra, this chapter delves into the multitude of entanglements between the mythical, social, political, economic, and material realms of water and riverine

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Heterotopias of Displacement: The Production of Space in Postsocialist Albania,a’s banlieues. Since the collapse of communism, the neoliberal policies and specific territorial legal provisions to develop parts of the city have pushed several hundred people, including Roma, outward from the city center, toward mobility. Displaced and dispossessed, many Roma resettled in new nei

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,“Mystical and Mythical Thinking”: Myth-Making as a Compensatory Mechanism,ves are embedded in conventional national myths but are underpinned by certain religious and magical beliefs and can be seen as a form of “occult linguistics”. A tenet is the idea that Albanian conveys higher forms of knowledge. To those disseminating such views, seemingly random similarities reveal

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