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Titlebook: Remaking Kurosawa; Translations and Per D. P. Martinez Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 anthropology.ci

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书目名称Remaking Kurosawa
副标题Translations and Per
编辑D. P. Martinez
视频videohttp://file.papertrans.cn/827/826790/826790.mp4
图书封面Titlebook: Remaking Kurosawa; Translations and Per D. P. Martinez Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 anthropology.ci
描述Through the lens of Akira Kurosawa‘s films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.
出版日期Book 2009
关键词anthropology; cinema; film; Japan; subject; television; translation; truth
版次1
doihttps://doi.org/10.1057/9780230621671
isbn_ebook978-0-230-62167-1
copyrightPalgrave Macmillan, a division of Nature America Inc. 2009
The information of publication is updating

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Conclusion Thinking with Films,ng from one language, as well as cultural and historical contexts, to another. Translations and perceptions of relat-edness become conceptual bridges leading to something new, while retaining the old.
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https://doi.org/10.1057/9780230621671anthropology; cinema; film; Japan; subject; television; translation; truth
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Overview: Through the lens of Akira Kurosawa‘s films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.978-0-230-62167-1
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Setting the Scene, that one of the best examples of this was the way in which the films of Akira Kurosawa had influenced non-Japanese filmmakers. As an anthropologist, I soon realized that such a simple thesis required discussion of a much more complex series of conceptual issues. First, copying in the eras of modern
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Portrait of an Artist as Filmmaker,w of his “young” life and Galbraith’s massive The Emperor and the Wolf (2001) fills in many gaps; for summaries of all his films and excellent analyses of his work, Richie’s work is also important (1987, 1996). His daughter Kurosawa Kazuko (2004a, 2004b) has recently offered two memoirs of life with
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