Titlebook: Relocating Popular Music; Ewa Mazierska,Georgina Gregory Book 2015 The Editor(s) 2015 Music.cultural translation.relocation.colonialism.to

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Spaces of Protest in Turkish Popular Musicmine principles and corrupt). These representations are powerful, affecting our understanding of places, reinforcing myths, and providing listeners with a sense of identity (Forman 2002). In song, analysis of settings are ‘highly revealing about the world being communicated’ (Machin 2010: 92), and ‘

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Sampling the Sense of Place in Baile Funk Musiche .. Through the process of transnational relocation of music, the genre can also be seen as a postcolonial conjointment in the way, baile funk ‘writes back’ (to borrow Ashcroft’s concept) to Europe and the USA to affirm its own sense of place, and to claim ‘the right [as a cultural product] to rep

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East Meets West: Tallinn Old Town and Soviet Estonian Pop Music on Screensive’ Soviet culture. In particular, the Estonian capital city of Tallinn, and more precisely its well-preserved medieval Old Town, now a UNESCO world heritage site, became an interesting place for negotiations between conflicting ideologies and (national) identities, and an important arena for (re)

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