Titlebook: Recasting Transnationalism Through Performance; Theatre Festivals in Christina S. McMahon Book 2014 Palgrave Macmillan, a division of Macmi

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Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes,ma. At the Mindelact International Theatre Festival, visiting troupes have performed adaptations of ., ., and ., and new Cape Verdean adaptations of Shakespeare often debut there. Seemingly, international festival programs are destined to read like a ‘Who’s Who’ of the Western theatre canon, even wh

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Toward a Conclusion: Forum Theatre in Festival Venues,que’s ministry has already caused some controversy. This was evidenced in an open letter to Rousseff signed by Brazilian academics, artists, and other citizens that expressed their feelings of frustration because the new Ministry of Culture had not adhered to the cultural policies Lula had establish

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,Introduction — Global Casting Calls: Performing (Trans)National Identity on Festival Circuits,

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Mapping Festivals: Cape Verde, Mozambique, and Brazil in the Lusophone World,ns. Such issues are often informed by language, which is itself often connected to economics. In this chapter, I examine how festival venues may be indicators of broader trends in the global economy and in diplomatic relations among countries in a transnational community. I trace the histories of th

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Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes,nded the Grahamstown Arts Festival in South Africa in 2007, the main stage featured an adaptation of the Orpheus myth, while the street theatre boasted an adaptation of Euripides’ . as well as an adaptation of a play by Molière. Writing about festivals such as the DuMaurier World Stage in Toronto an

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Toward a Conclusion: Forum Theatre in Festival Venues,because of lack of funding. FESTLIP’s fifth season had been canceled, she explained, because the Brazilian Ministry of Culture and FUNARTE had stopped providing financial support to the festival in 2011, leaving Pires’s production company, TALU Produções, with substantial debt. This was a vastly dif

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