Titlebook: Realism and the Audiovisual Media; Lúcia Nagib (Centenary Professor of World Cinemas Book 2009 Palgrave Macmillan, a division of Macmilla

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Melodrama as Realism in Italian Neorealismut by melodrama. Because aesthetic theory (and common sense) defines realism and melodrama against each other, the relationship between melodrama and realism in neorealist films has never been considered beyond opposition. Yet in Italian neorealism, melodrama and realism interact and at times even c

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Scale and the Negotiation of ‘Real’ and ‘Unreal’ Space in the Cinemazin) or generic or classical Hollywood conventions that produce an effect of the ‘real’ (characterizing the apparatus theory and so-called ‘. theory’ of the 1970s). However, the issue of cinematic scale and its relation to a sense of either the real or the unreal has remained largely unexamined. Thi

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A Journey through Time: Alexander Sokurov’s , and Theories of Mimesistructure — a response to a reality and a production of an imaginary world. It would be misleading to evaluate the quality of vraisemblance in a world-reflecting schema and maintain mimesis as a single, fixed reading of art and aesthetics. Rather mimesis presents a quest for meaning, whether that mea

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Brecht, Realism and the Mediaauptmann and composer Kurt Weill that became the most successful stage performance of the Weimar Republic, translated into numerous languages and produced all over the world. With the Nazi accession to power in March 1933, Brecht went into exile, his books were burned in Germany and his German citizenship was revoked.

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