Titlebook: Reading the Body in the Eighteenth-Century Novel; Juliet McMaster Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Book 2004es. She tellingly explores the discourses of medicine, physiognomy, gesture and facial expression, completely familiar to contemporary readers but not to us, in ways that enrich our reading of such classics as Clarissa and Tristram Shandy , as well as of novels by Fanny Burney, Mary Wollstonecraft and Jane Austen.

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Physiognomy: The Index of the Mind,annot read A. B. C. may read our natures... The finger of God hath left an inscription upon all his workes” (2.2.138). For this seventeenth-century doctor who chose to write about his religion, the reflection of the soul in the face was an article of faith. But the doctrine of physiognomy, the scien

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,Facial Expression: The Mind’s Construction in the Face,es and mouth in a state of repose, as signs of lasting traits of character. Pathognomy is the study of passing facial expressions and bodily motions as signs of passing emotions and states of mind, such as anger or fear or shame. “Physiognomy therefore teaches the knowledge of the character at rest,

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Reading and Re-Encoding the Body: ,,t the shape of the head or the length of the nose are indicators of character, prefering to read what he considers the more informative language of the movements of face and body as chronicling passing emotions. For Lavater the permanent structures of the body were more reliably Nature‘s true langua

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Book 2004es. She tellingly explores the discourses of medicine, physiognomy, gesture and facial expression, completely familiar to contemporary readers but not to us, in ways that enrich our reading of such classics as Clarissa and Tristram Shandy , as well as of novels by Fanny Burney, Mary Wollstonecraft a

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