Titlebook: Reading Coetzee‘s Women; Sue Kossew,Melinda Harvey Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Coetzee.Women.Gender.Voi

STERN

The Fixation on the Womb and the Ambiguity of the Mother in ditions of the foetus that is completely protected by the mother from the world. In the process, he also highlights the relevance of Samuel Beckett’s fixation on the womb and Otto Rank’s theory of the trauma of birth.

适宜

‘God Knows Whether There Is a Dulcinea in This World or Not’: Idealised Passion and Undecidable Desi complexities and ambivalent ethical consequences of passion and desire, which are often presented as undecidable forces exceeding the subject’s choice and control, but for which characters must take responsibility in social, ethical and legal terms.

反叛者

Seeing Where Others See Nothing: Coetzee’s Magda, Cassandra in the Karooitic’s evocation of Cassandra entails evoking engaging and compelling ways in which Attic tragedy may shed renewed light on Magda’s alleged madness, on her text’s discouraging a discourse of individual psychology, and, finally, on the essentially tragic features of Coetzee’s text as a whole.

射手座

Reading Coetzee Expectantly: From Magda to Lucyon’. Coetzee’s rewriting of the South African . hence challenges us to extend our ‘horizons of expectation’ with regard to this genre. Ghosh-Schellhorn argues that, in confronting us with women who take on unprecedented agency, Coetzee asks us to reconsider the concept of the . hallowed by Boer ideology.

深陷

假设

广大

J. M. Coetzee and the Woman Question,themes through which this interest plays out, including violence, agency, sexuality and motherhood, and recognises that the question of women is at the forefront of some of the more lively contestations of, and critical debates about, Coetzee’s writing.

LATER

On Beyond the Representational Binary: Coetzee (and the Women) Take Wingbinary, and exploring forms of visitation and even divinity, as might be embodied in the long line of angelic or part-angelic figures that have processed through the pages of the work since ., and, since the millennium, in an ever more focussed and convinced way.

ULCER

删除

He and His Woman: Passing Performances and Coetzee’s Dialogic Drags creation of Elizabeth Costello (2003, 2005), Coetzee undertakes an act of dialogic drag that engages humour, satire, and parody to reveal the performative nature of gender, literary production, and authorship itself.