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Titlebook: Re-evaluating the Literary Coterie, 1580–1830; From Sidney to Black Will Bowers,Hannah Leah Crummé Book 2016 The Editor(s) (if applicable)

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,Edmund Spenser and Coterie Culture, 1774–1790, In the mid-nineteenth century small floor and wall plaques became the norm for new memorials in the Abbey, due to the overcrowding caused by the large and elaborate monuments installed in the eighteenth century. Among these are life-sized statues of Addison, Handel, and Shakespeare, busts of Milton
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The Many Rooms of Holland House,t: it included British writers such as Sheridan, Byron, and Macaulay, as well as the European radicals Blanco White and Foscolo. The portraits of Renaissance authors that adorned the walls of Holland House helped set the stage for a cosmopolitan group that advocated liberal and radical reform in Bri
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Aggressive Intimacy: Mass Markets and the , Coterie, society’, William Laidlaw declared in . for January 1818.. Laidlaw’s comments are apt not only because they appear in an article that he co-wrote with his close friend Walter Scott, but because they express the ideal of magazine conviviality and intimacy that William Blackwood clearly had in mind w
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Aggressive Intimacy: Mass Markets and the , Coterie,sponse was to make his readers feel that they belonged to a ‘well-informed’ and exclusive ‘literary society’ that enjoyed special access to—and insider knowledge of—the writers and relationships that shaped his magazine..
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,Maecenas and ‘Oxford-Witts’: Pedagogy and Flattery in Seventeenth-Century Oxford, enjoyed an extraordinary circulation among the students and scholars of seventeenth-century Oxford, about which much has been written; they were widely imitated and acclaimed, and Corbett himself was the object of frequent and affectionate praise..
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Introduction,ntly modern ‘network’. The term ‘coterie’ has aroused some suspicion among critics. In the introduction to her landmark anthology, Helen Gardner distinguishes between the worst and the best of metaphysical poetry:
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Book 2016ircles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney ci
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