| 书目名称 | Radio, Race, and Audible Difference in Post-1945 America | | 副标题 | The Citizens Band | | 编辑 | Art M. Blake | | 视频video | | | 概述 | Focuses on voice and sound, an understudied dimension of race and gender studies.Illuminates the adaptation of citizens band (CB) radio technology by African Americans.Appeals to scholars and students | | 图书封面 |  | | 描述 | In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.. | | 出版日期 | Book 2019 | | 关键词 | communications technology; history of the media; racial segregation in broadcast media; Los Angeles his | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-31841-3 | | isbn_ebook | 978-3-030-31841-3 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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发表于 2025-3-21 16:37:26
