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Titlebook: Radical Children‘s Literature; Future Visions and A Kimberley Reynolds Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Lim

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书目名称Radical Children‘s Literature
副标题Future Visions and A
编辑Kimberley Reynolds
视频video
图书封面Titlebook: Radical Children‘s Literature; Future Visions and A Kimberley Reynolds Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Lim
描述This book reappraises the place of children‘s literature, showing it to be a creative space where writers and illustrators try out new ideas about books, society, and narratives in an age of instant communication and multi-media. It looks at the stories about the world and young people; the interaction with changing childhoods and new technologies.
出版日期Book 2007
关键词children‘‘s literature; Narrative; space
版次1
doihttps://doi.org/10.1057/9780230206205
isbn_softcover978-0-230-23937-1
isbn_ebook978-0-230-20620-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2007
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,Baby, You’re the Best: Sex and Sexuality in Contemporary Juvenile Fiction,allegory about adolescent sexuality, . (2001). As a dog, Sandra can do it wherever, whenever and however she likes — and that suits her just fine. Just as it did when she was a school girl, learning the ropes with her first boyfriend:
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Breaking the Frame: Picturebooks, Modernism, and New Media, that far from turning its back on modernism in the way Jacqueline Rose claims, children’s literature — and particularly in the form of the picturebook — has actively explored its concepts and styles, in the process providing precisely the kind of arena for radical experiments Dusinberre describes.
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,Self-harm, Silence, and Survival: Despair and Trauma in Children’s Literature, stop, learn new ways to cope’ . June 2004: 9). Even better than learning how to break the habit would be a prophylactic approach in which children’s literature provided opportunities for readers to recognise and understand their hostile feelings, and offered them new ways of storying their lives.
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Breaking the Frame: Picturebooks, Modernism, and New Media,pay no heed to writing for children. .ndeed, accounts of modernism in the broadest sense generally ignore children’s literature, a fact underlined by the major exhibition ‘Modernism 1914–1939: Designing a new world’ at the Victoria and Albert Museum in 2006, which failed to include any references to
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