Titlebook: Quoting Death in Early Modern England; The Poetics of Epita Scott L. Newstok Book 2009 The Editor(s) (if applicable) and The Author(s) 2009

paroxysm

伟大

简洁

,“Lapping-up of Matter”: Epitaphic Closure in Elegies,pportunity to “end on ending,” but there is admittedly something perverse, on first glance, at delaying the most “literary” analysis until the conclusion. Yet it has been the contention throughout this study that what remains most intriguing about the early modern epitaph (and has been heretofore “s

Factorable

,Epilogue: “Epitaph” for Epitaph,secularized and largely textualized form. As Scodel has postulated, the practice of composing formal epitaphs for inscription appears to have reached its peak in the late eighteenth century before declining with the expansion of newspaper obituaries in the nineteenth century. Yet the remains of the

deforestation

不可接触

2634-5919 e ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts.978-1-349-30112-6978-0-230-59478-4Series ISSN 2634-5919 Series E-ISSN 2634-5927

CREST

Full-System, Embedded Microarchitecture Evaluationtely quantified, it is demonstrated that traditional techniques proposed for simulation speedup can introduce significant error when simulating a combination of computation and analog physical phenomena external to a processor.

nocturnal

Confirm

chastise

When Nobody Stood Up and Everybody is Guilty: A Puzzle of Individual Responsibility and Collective Gich display as many cases of “the choice to retain dignity and to value humanity”, even at the risk of losing one’s life. They tell stories of ordinary people who endured the atrocity of war but did not succumb to its destructive logic—people who were helping friends or neighbours regardless of their ethnic background.