Titlebook: Questions of Influence in Modern French Literature; Thomas Baldwin (Reader in French and Co-Director), Book 2013 Palgrave Macmillan, a div

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Post-Revolutionary Uses of Pascal,ive one, recently highlighted by Antoine Compagnon, who identifies in the movement from Rousseau to Pascal the ‘usual route’ taken by ‘antimodern’ writers.. Having been influenced by reading the philosophers of the Enlightenment, especially Rousseau, to an important extent the counter-Revolutionarie

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,Text, Image and Music: Paul Valéry’s Melodrama , and the Influence of the Ballets Russes,n through the imaginative transformation of elements that may have been inspired by an artist’s predecessors. As Harold Bloom has famously remarked in ., ‘Weaker talents idealize; figures of capable imagination appropriate for themselves.’. It is especially rewarding to focus on the creative impulse

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Ghosts of Influence? Spectrality in the Novels of Marie Darrieussecq,.. And so she connects what others see as plagiarism with the idea that influences, be they explicit or implicit, avowed or denied, are part of any writer’s work.. She makes numerous references to works that have inspired her own writing. . (., 2002), which aimed to recreate the author’s own world,

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Questions of Influence in Modern French Literature

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Thomas Baldwin (Reader in French and Co-Director),

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Titlebook: Questions of Influence in Modern French Literature; Thomas Baldwin (Reader in French and Co-Director), Book 2013 Palgrave Macmillan, a div

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