Titlebook: Queer Commodities; Contemporary US Fict Guy Davidson Book 2012 The Editor(s) (if applicable) and The Author(s) 2012 capitalism.culture.fict

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Guy DavidsonFilze mit ganz spezi­ fischen Eigenschaften herzustellen. Künstliche Eiweißfasern (Kasein­ Erdnuß- und Maiseiweißfasern) sind vor allem in der Hutindustrie in Zeiten gefragt, in welchen die Preise für die Rohstoffe stark ansteigen. Hinzu kommt noch, daß die Beimengung derartiger Fasern zu Wolle, Kanin­ oder H978-3-663-03602-9978-3-663-04791-9

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,Metropolitan Destinies: Edmund White’s , White self-reflexively acknowledges and forecasts in my second epigraph, in which the boy of . imagines his future in novelistic terms, the “more than Balzacian” trajectory of his trilogy offers a twist on the great nineteenth-century traditions of the Bildungsroman and the . exemplified by novels

A精确的

,Utopia and Apocalypse in Samuel Delany’s ,etween the erotics of urban life and late capitalism.. To an important extent, as in . suggests that certain modes of urban queer eroticism might be seen as embedded alternatives to dominant modes of late capitalist sociality. As I’ve demonstrated, the representation of promiscuous culture in ., whi

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Bar and Dog Collar: Commodity, Subculture, and Narrative in Jane DeLynn,er novels are stubbornly unavailable for readings of lesbian identity and community as utopian, resistant, or future-oriented. As discussed in chapter 1, in many respects her work would seem to offer promising material for the recent tendency in queer criticism that explores negative affect, abjecti

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Revolt into Style: Subcultural and Literary Politics in Michelle Tea and Lynn Breedlove,a sense that sexual subcultures offer an alternative to heteronormativity that may prove individually enriching. Only . seems to endorse the idea of a continuing sexual revolution. But even in this novel, the broader implications of its representations of idealized sexual exchange are constrained by

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Book 2012ndencies to identify gay and lesbian subcultures as either hopelessly immersed in consumer capitalism or heroically resistant to it, Guy Davidson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism.